In 1969 Norman Mailer was running in the Democratic Party primary for Mayor of New York City along with columnist Jimmy Breslin who was trying for City Council President. Despite the fact that I did not agree with Mailer's anti-war views I invited him and Breslin to come speak at Wagner College in Staten Island. I was very heavy into Ayn Rand and I fancied it would be fun to spar with him. Although I thought I had some very strong intellectual arguments against some of his leftist positions, what I didn't count on was that Mailer had great routines at evading thrusts for which he did not have handy cogent replies.
Sometimes those with a greater repertoire of evasive skills can dominate an argument. It wasn't until years later that I recognized some of those leftist routines: Liberals yell Islamophobe or racist when they have no good answer in regard to Islamic terror.
As a digression, I should mention that Mark Rudd, who a few months later would form the Weather Underground, was also there and although known as being an extremist bent on the destruction of the US Government, he was rather quiet and circumspect in conversation with me. Perhaps he worried I was part of the establishment. A few months later he disappeared and became a fugitive. For my readers who are not familiar with the Weather Underground:
Satya,
Weathering the Storm - Interview With Mark RuddOutraged by the Vietnam War and racism in America, the Weathermen became convinced that only revolutionary militant action could force change. In early 1970, members went underground to "bring the war home.” The Weather Underground waged a low-level war against the U.S. government through much of the 1970s. They took responsibility for bombing two dozen public buildings, including the Pentagon and Capitol buildings, eventually landing on the FBI’s Most Wanted list.
Anyway, years passed. In 1977 a small-time criminal named Jack Abbot read about Mailer's work on The Executioner's Song
His involvement with Abbott was "another episode in my life in which I can find nothing to cheer about," he told the Buffalo News in 1992. Notwithstanding that last statement, Mailer never really felt truly responsible for what happened. Let me explain why:
In 1985 I was in the attorneys' room at the Metropolitan Correctional Center in New York when I heard a voice behind me. I turned around and said I'd recognize that voice anywhere, "Norman Mailer." And indeed it was. He was speaking with an inmate who also was writing a book and Mailer was there to discuss its publication. I told him I was the one who invited him to Wagner College in 1969 and he said he remembered that night quite well. After he had wrapped up his discussion with the prisoner/writer, I asked him if he wasn't worried about having the same thing happen again a la Jack Abbott. He said he did not want to treat every prisoner he met as if they were doomed to commit murder upon release. Someone else with a thinner skin would probably have avoided prisoners who wanted to be authors. Not Mailer - he didn't care.
Despite being a leftist idiot, I can't take away the fact that he was indeed a great writer.
Related:
A Night Light,
Norman Mailer's CityThe 60's/70's Mailer loved to coin words. "Factoid" was the most famous, for a fact-like construct that illustrates a truth even if it's literally false. But there were others. Somewhere he wrote about a "thanatosphere" where he believed the dead hovered around the Earth like a second atmosphere. Of course, he didn't really believe it. Belief, too, can be a factoid.
NPR Audio: Norman Mailer, Author and Social Critic, Dies at 84
Planck's Constant,
Drugs and the Never-ending WarSome things never change. Although the Warsaw Pact countries have thrown off the shackles of the Soviet Union and the Red Sox have sloughed off the curse of the Bambino, we have yet to end our futile War on Drugs.
This is a photo of me as Editor of the Wagnerian, Wagner College's School Newspaper, in 1970.
There are some, though, that are not impressed with his writing:
Six Meat Buffet,
"Culture Is Worth A Little Risk”Arguably, ‘The Executioner’s Song’ is what thrust Mailer deep into the anus of America’s contemporary literature and culture. An amorally neutral narrative whereby Mailer took letters and interviews from acquaintances of convicted murderer Gary Gilmore and parlayed it into a fake and inaccurate novel.
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For more of my articles like this see Personal, -1970 College
